Hellas: Mythology of Ancient Greece - Eos. See what "Eos" is in other dictionaries Who is Eos in Greek mythology
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The meaning of the word eos
eos in the crossword dictionary
Encyclopedic Dictionary, 1998
eos
V Greek mythology goddess of the dawn. It corresponds to the Roman Aurora.
Mythological dictionary
eos
(Greek) - the goddess of the dawn, the daughter of the titan Hyperion and the titanides Teia (option: Helios and Nikta), sister of Helios and Selena. From Astrea E. gave birth to winds - Borea, Zephyr and Note, as well as stars. In the morning, she leaves in a chariot drawn by two horses (option: flies on white wings), announcing the appearance of her brother Helios. For the fact that E. shared a bed with Ares, Aphrodite took revenge on her by instilling in her love for beautiful young men. E. kidnapped Orion and Cephalus, then Titon, the beautiful son of the Trojan king Laomedon-ta, and gave birth to Memnon from him. E. begged Zeus for immortality for Titon, but forgot to ask for eternal youth for him. Titon became a decrepit, undying old man, and E. turned him into a cicada. When Memnon was killed by Achilles near Troy, E. buried her son and constantly mourned him, dropping abundant tears (morning dew) on the ground. E. was portrayed as a young woman with long wavy hair, in a pink robe.
Eos
V ancient Greek mythology goddess of the dawn, sister of Helios (the sun) and Selene (the moon). The Greeks represented her as a beautiful young woman whose fingers and clothes shone with a golden-pink sheen as she rode her chariot to heaven in the morning. Homer has a constant formula announcing the beginning of the day: “Golden, with purple fingers, Eos arose from the night” (translated by V. A. Zhukovsky). In ancient Roman mythology, it corresponds to Aurora.
Wikipedia
Eos
Eos appeared early in the morning, emerging from the ocean, and on a chariot drawn by beautiful horses, ascended to heaven. Poets, beginning with Homer, described the beauty of Eos and its magnificence, calling it “rosy-fingered”, “beautiful-haired”, “golden-throned”, “dressed in saffron peplos”, etc. Her epithet is explained as follows: “Before sunrise, diverging from center pink stripes that resemble outstretched fingers.
The goddess with pink fingers, as Homer calls her, rises from her bed in the morning, swims out on her divine horses Lampos and Phaeton from the depths of the sea and illuminates the universe with light. Already in Homer, Aurora is called the goddess of the day and is identified.
The name Eos comes from the Proto-Indo-European root *haus-os-. In Roman mythology, Eos corresponds to Aurora, in Slavic - Dennitsa, in Baltic - Aushra, in Indo-Aryan - Ushas.
Eos (disambiguation)
Eos- can mean the following:
- Eos - goddess of the dawn
- (221) Eos is an asteroid.
Examples of the use of the word eos in the literature.
When did the twilight pink-fingered descend Eos and the evening dew refreshed the classical earth, then we, cutely memes, headed home, reached the cave in complete darkness and settled there in pleasant warmth on velvet moss, some to suck the udder, some to chew the cud.
Once the pink-fingered goddess of the dawn saw the beautiful Cephalus Eos, kidnapped him and carried him away from Athens, to the very ends of the earth.
So the morning dawn would have caught them if the goddess Athena had not lengthened the nights and forbade the goddess of dawn, pink-fingered, to fly up to him. Eos.
Studying ancient mythology- an exciting activity. The ancient Greeks believed that Mount Olympus was home to a host of gods and goddesses who ruled people and the world. Some were responsible for social spheres (marriage, power, crafts, fertility, war), others for philosophical categories(death, time, life, fate, love, wisdom), the third - for natural objects and phenomena (day, night, stars, dawn, sea, fire, earth, wind).
Following the Greeks, the same Olympic gods began to be worshiped by the Romans, who adopted many elements of culture from the Greeks. If we talk about the differences between the ancient Greek and ancient Roman gods, then they are very insignificant and concern only names. For example: Artemis - Diana, Poseidon - Neptune, Athena - Minerva, Zeus - Jupiter, etc.
As for the functions, genealogical trees and relationships of gods and goddesses, all this was completely transferred from Greek mythology to Roman mythology. So the ancient Greek pantheon became the ancient Roman one, changing only the names of the gods and goddesses.
Place of Eos (Aurora) in the family tree
Initially, 12 divine beings lived on Olympus: 6 men and 6 women. They became the progenitors of the next generations of gods and goddesses. In one of the branches of the pedigree, going from ancient gods, and the goddess of the dawn, Eos (or, according to the ancient Roman tradition, Aurora), was born. It is believed that all ancient goddesses are carriers of various feminine qualities and traditionally performed roles: mother, wife, daughter.
Eos (Aurora), the goddess of the dawn, is the representative of the third generation of Olympian gods. Her parents were the titan Hyperion and the titanide Theia. Aurora's name comes from the Latin word aura, which means "pre-dawn breeze". The brother of the goddess is Helios, the sister is Selena.
From her marriage to a titan starry sky Astrea gave birth to all the night stars, as well as all the winds: the formidable and cold Boreas (northern), the mist-carrying Notes (southern), the warm and rainy Zephyr (western) and the changeable Eurus (eastern).
Goddess images
The goddess of the morning dawn is called upon to bring daylight first to Mount Olympus, then to the earth, first to the gods, then to people. The Greeks believed that Eos lives in Ethiopia (on the eastern edge of the Ocean), and enters the sky through a silver gate.
As a rule, the goddess was depicted in a red-yellow (or "saffron") robe and with wings behind her back. Often she flew across the sky on a chariot harnessed by a deuce or a quadriga of white horses (sometimes winged, sometimes not). One of the horses was named Lampos, the other Phaeton.
Homer called the goddess Eos "beautiful-haired" and "pink-skinned." The last epithet is explained by the fact that pink stripes appear in the sky before sunrise, similar to the fingers of a hand that Eos (Aurora) stretches forward. The goddess held vessels full of dew in her hands. Above her head shone a halo, a solar disk or a crown of rays. In many images, the Roman goddess of the dawn appears holding a torch in right hand and flying in front of the chariot of Sol (Helios) - the god of the sun - and leading him along.
Sometimes she is depicted flying through the sky on a Pegasus and scattering flowers around her. In Eos Aurora paintings, one can often see a brightening morning horizon and receding night clouds. Ancient myths explain the scarlet or crimson light of dawn by the fact that the beautiful goddess was very passionate, and the sky was embarrassed by the nights that she spent with her beloved young men.
Eos Aurora and her lovers
The love of love, which the goddess of the morning dawn was famous for, manifested itself in her craving for earthly and mortal youths. This weakness was the result of a spell cast on her by another inhabitant of Olympus - the goddess of love Aphrodite, who was seized with anger and jealousy after Eos shared a bed with Ares, Aphrodite's lover. Since then, under the spell, the goddess of the dawn fell in love only with mortals, whose youth and beauty inevitably faded with the years.
Eos and Tithon
The feeling of love and passion for the earthly youth was both a blessing and a curse for the immortal Eos. The goddess fell in love, but was not always happy. A sad story is told in the myth of her and her beloved Titon, the son of the Trojan king.
Inflamed with feelings for a beautiful young man, she kidnapped him and transferred him on her heavenly chariot to the eastern edge of the Ocean, to Ethiopia. There, Titon became king, and also the husband of a beautiful goddess, who gave birth to his beloved son, the demigod Memnon.
Being immortal and wanting to prolong her happiness forever, Eos asked supreme god Zeus to grant immortality to Titon. However, due to the distraction characteristic of lovers, the pink-fingered goddess forgot to clarify that the young man must not only become immortal, but also remain forever young. Because of this fatal mistake, the happiness of Eos and Tithon did not last long.
The human age is short compared to the eternity of the life of a deity - soon the head of the beloved was covered with gray hair, and yesterday's youth turned into a decrepit old man. He could no longer be the husband of a goddess, still young and beautiful. At first, Eos suffered greatly from the fact that she could not do anything: after all, she herself asked eternal life but not eternal youth for Titon. Then she got tired of looking after the immortal old man, and she closed him in the bedroom so as not to see.
According to one version of the myth, Titon was subsequently turned into a cricket by the pitiful Zeus, according to another version - by Eos herself, and according to the third - he dried up over time, being locked away from his eyes, and turned into a cricket to live in old houses and sing creaky with the voice of his sad song.
Eos and Cephalus
Another myth tells of the love of a beautifully curly goddess for the mortal youth Cefalu. At first, this passion was not mutual, and Cephalus rejected Eos. Struck by his refusal, the goddess lost interest in everything and even ceased to fulfill her daily duty - to see the sun to the sky every morning. The world was ready to plunge into darkness and chaos, but everyone was saved by Cupid, who shot an arrow in the heart of Cephalus. So the goddess found the happiness of mutual love and raised her lover to her heaven.
Eos (Aurora) - the goddess from ancient mythology, carrying the dawn and leading the sun. Without a doubt, the morning in the view of the ancient Greeks and Romans was considered a very beautiful and poetic time of day, since the goddess was depicted as invariably beautiful and young, as well as amorous and passionate.
Myths and Legends * Eos (Aurora)Eos (Aurora)
Aurora (Adolphe-William Bouguereau)
Wikipedia
Aurora(from lat. aura - "pre-dawn breeze", among the Greeks Eos) - the goddess of the dawn, the daughter of Hyperion and Theia, the sister of Helios and Selena and the wife of the titan Astrea.
The goddess Aurora gave birth to the titan Astrea Zephyr, Boreas and Nota, as well as Hesperus and other constellations. In Roman mythology, she is the goddess of the dawn, bringing daylight to gods and people.
Usually she was depicted as winged, often on a chariot drawn by winged or non-winged horses, in a red-yellow robe, sometimes with a solar disk above her head, with a halo or a crown of rays around her brow, or with a torch in her right hand, sometimes also with vessels (dew) in hand.
The asteroid (94) Aurora, discovered in 1867, is named after Aurora.
Sunrise (Francois Boucher (1703-1770)
Aurora- (In Roman mythology, the goddess of the dawn, corresponding to the Greek Eos).
Eos(other Greek. Ἕως
, epic Ἠώς
, Mycenae. a-wo-i-jo) in Greek mythology, the goddess of the dawn. Titanide of the second generation: daughter of the Titan Hyperion and the Titanides Theia, sister of Helios and Selene. According to another version, her mother was Hyperion's sister Eirifaessa. Given that during the revolt of the giants, Zeus temporarily forbade both Selene and Helios and Eos to shine, she, along with her relatives, is a bearer of light.
Apollo and Aurora (Gerard de Lairesse (1640-1711)
Married to the giant Astrea, Aurora gave birth to Boreas, Note and Zephyr, the Morning Star (Venus), and, according to many, all other stars in heaven. The fact that Eos is born by all the winds except the east (which itself was considered fertile) suggests its close connection or identity with Astrea. During the rebellion of the titans, Astraeus rebelled against Zeus and was thrown into Tartarus - this happened before or after the numerous love interests of Eos is not known for certain.
In Homer, Eos is described as "pink-fingered", daily leading Helios to heaven, leaving her beloved Titon still sleeping. On Greek vases, she is depicted as winged, often riding a chariot drawn by four horses (quadriga). It was believed that she lives in Ethiopia and travels to heaven through the silver gate. She is wearing a saffron robe, and the stallions Lamp and Phaeton are harnessed to the chariot. Painting the sky pink and sending its rays first to Olympus and then to the earth to wake people up, Dawn announces the approach of Helios. With his appearance, Eos Hemera (Day) becomes and accompanies the sun all the way, finally turning into Hespera (Evening) on the western shore of the Ocean.
Eos is also known for her eternal and insatiable passion for mortal youths. Aphrodite inspired this desire in her in revenge for the fact that Eos shared a bed with Ares. Since then, she, shy and hiding, seduces them one by one. Her lovers were: Orion, Cephalus, grandson of Melampus Clitus. Graves, however, considers the love affairs of Eos only an allegory: with the dawn, erotic passion returns to lovers, and men usually develop attraction.
Falling in love with Orion, Eos persuaded her brother Helios to restore his sight. After that, they shared a bed on the sacred island of Delos, from this shamelessness, the Dawn was filled with a blush, and it remained crimson.
Aurora and Cephalus (P. N. Geren)
Kefal was already married to Procris when he attracted the favorable attention of the goddess. Eos revealed herself to him, but he politely refused her on the grounds that he could not deceive Procris, with whom he was bound by an oath of eternal allegiance. Eos protested that she would easily break her oath in exchange for gold. To convince Cephalus, she made him look like a certain Pteleon and advised him to seduce Procris, promising a golden crown. When this was easily accomplished, Cephalus without remorse became the lover of Eos, who aroused morbid jealousy in Procris.
Aurora and Typhon (Francesco de Mura (1696-1784)
Typhon(Titon) - the most beautiful son of the Trojan king Laomedont (according to other versions - Tros or Ila) and brother of Priam. Eos kidnapped him and took him with her to Ethiopia, where she made him king and gave birth to Memnon from him. In another version, Titon was kidnapped by the goddess along with his brother Ganymede, but Zeus took him away from her. In return, Eos begged him to grant immortality to Tithon, but forgot to ask for eternal youth (like Selene for Endemion). When Titon began to grow old, and Eos got tired of caring for him, she closed him in her bedroom, where he gradually dried up and turned into a cicada.
The abduction of Ganymede is regarded by Graves as a misreading of the ancient image by a later mythographer, who took the image of the bride in the scene of the sacred marriage with the new king as the image of Eos.
After the death of his son Memnon at the hands of Achilles, Eos mourns him every morning, and tears fall like morning dew.
"Aurora" - a marble statue depicting an allegory of Morning (or Dawn),
created by Michelangelo during 1526-1531.
Irving Stone's biographical novel Torment and Joy (1961) emphasizes the fact that Michelangelo, in addition to the Madonnas, did not make female statues in marble before, therefore both "Night" and "Morning" occupy a special place in his work. In the work about the statue, it is written as follows: “[Michelangelo] carved“ Morning ”- a woman not yet fully awake, captured on the verge of a dream and reality; her head was still sleepily resting on her shoulder; a ribbon pulled tightly under the breasts only emphasized their volume, their onion-like shape; the muscles of the abdomen sagged a little, the womb was tired from bearing the fetus; the whole hard way of her life was read in half-closed eyes, in half-open mouth; raised, as if broken at the elbow, the left arm hung in the air and was ready to fall at that moment, as soon as the woman took her head away from her shoulder to look into the face of the day.
Emblem
In MC (Emblem and Symbols) Aurora refers to the section "Times and changes, or the passage of time", to the Times of the day. The following is said about her:
Statue of Aurora (Krasnodar city)- Aurora, daylight, morning or morning time, is represented by a winged woman, with a star on her head, sometimes a young nymph crowned with flowers, sitting in a scarlet or purple chariot drawn by Pegasus, with a torch in her right hand, scattering roses with her left. Sometimes with a great veil stretched far back, with ruddy breasts and scarlet horses. Sometimes with a feather standing next to her.
Aurora (Eos) is a popular figure in baroque painting (most often palace ceilings and vaults). There are many varieties of her image:
* flying in front of the chariot of Helios with a torch;
* ruling chariot (two or four),
* riding a winged Pegasus, scattering flowers on its way;
* often a bearded Typhon (Titon) watches her flight;
* often she and the chariot of the Sun are surrounded by young Ores - goddesses of the seasons.
Also often depicted are receding night clouds and an illuminated horizon.
Aurora (Auguste Fragonard)
Aurora and Cephalus; abduction of Cephalus
Aurora's passion for Cefalu was reimagined by Italian Baroque playwrights and, being popular, was widely used by artists. According to this plot, the passion for Cephalus is the strongest in Eos. The fact that he rejected her caused Eos to neglect his daily duty, to bring Helios to heaven. Cupid saved the world from khoas by forcing Cephalus to reciprocate her feelings. Happy Aurora carried the young man in her chariot to heaven. The "abduction" of Cephalus means his capture rather than sexual violence, as in the cases of the abductions of Europa and Proserpina.
Aurora (Michelangelo Buonarroti)- Aurora (winged) is depicted as rapidly flying down from the sky to Kefalu. Her chariot is waiting for them on the clouds surrounded by cupids. In another interpretation, Cephalus is on a chariot, still trying to reject Aurora's embrace, while old Tethon lies nearby and sleeps, unaware of what is happening.
Aurora also appears in the story of Cephalus and Procris, another dramatic adaptation dating back to the same time.
In the air, between night and day,
God set you as an eternal border,
He clothed you with purple fire,
He has given you a dennitsa as a companion.
When you are in the blue sky
You shine, burning quietly,
I think, looking at you:
Dawn, we are like you:
A mixture of fire and cold
A mixture of heaven and hell.
Merging light and darkness.
A.S. Khomyakov /1/.
The image of the Greek goddess of the Dawn goddess is rarely found in Tarot cards and Oracles. We know this image in the oracle Ancient Feminine Wisdom(Ancient female wisdom), in Tarot "Union of Goddesses"(VII Arcana ) and, perhaps, all. In the deck Goddess Tarot there is a card called Dawns, the authors correlate it with XIX Arcana. A beautiful energy map, but this is an image of the Slavic pantheon, so its analysis will be the subject of another article.
The Goddess Eos is a complex, contradictory, ambiguous archetype that evoked in us many strong feelings, associations and reflections.
Eos is the presence of that which is not...
“A young woman with purple fingers arose from the darkness of Eos”
Homer
Hear, goddess, leading a luminous day for mortals,
Brightly burning Eos that will make the world blush!
Bright you portend Titan, the great god,
You direct the path of the impenetrable night into the underground depths
Away from her, gloomy, you send when you rise to heaven.
You are a conductor in business, a head in human life,
You are a comfort to mortals: no one seeks to avoid
The highest eye of the Dawn at its appearance in the sky, -
No, but when you drive away a sweet dream from your dreams,
The human race is glad, and the peoples of animals are glad,
The feathered birds and the whole population of the sea are glad,
For those who live in the world you grant the field of life.
Now, in the mysts, increase the burning of the holy light!
Orphic hymn
Eos (H w z) goddess of the dawn, daughter of the titan Hyperion and his wife Theia, sister of Selena and Helios. It was believed that Eos lives in distant Ethiopia, every day she leaves through the silver gate and rides ahead of the Sun, painting the sky pink. Eos sends his rays first to Olympus to inform the gods of the new day, and then to the earth to wake people up. Eos precedes the appearance of Helios on the horizon. Warning the rising of the solar chariot, she washes the earth with dew, and her drops burn on grasses and leaves, like gems /3/.
Interesting state of nature at dawn. Transition from night to day. The coldest time, thickened darkness, some kind of special silence in the world, not a breeze... And then the dew falls, the birds wake up, the sky brightens... A fracture! Turn! Everything around began to play, lit up, sounded, Dawn came!
“Dawn is a celestial fiery sphere that illuminates the landscape and testifies to the earth about the sky,” cites a definition from Dahl’s dictionary. Vyach. Oceanic, analyzing the metaphysics of A.S. Khomyakov "Dawn", which we took as an epigraph / 1 /.
Bearing witness to the earth about the sky! That is the function of Dawn! To testify to the earthly, that is, to the manifested, the material about the heavenly, about the unmanifested, about the heavenly fire, about the spirit. To be immaterial, but at the same time manifested, manifested in the light that it anticipates.
“There is something unattainable and incomprehensible before me. And I am doomed to something intermediate, - the words of the operator in contact with the archetype of the goddess Eos - I am the transition, which should be all the time between day and night. I am the transition. I want to be something specific."
The dawn archetype corresponds to a transitional, borderline state, borderline not in the sense of a diagnosis, but in the sense of a borderline. Like a checkpoint at an outpost. Here “before”, and there already “after” ... “The sun will go away, the day will go away, I'm still here. The night will come." Without her, without Dawn, there cannot be a separate day, a separate night. “Nothing happens without transition. The transition is very important. The transition is self-sufficient.”
As it turned out, in our studies, this state of transition is both dynamically hurried and spread over space, intangible and dense, dancing and folding into golden spirals. "Spirals of darkness - light, shreds of light in darkness, shreds of darkness in light."
Eos is the horizontal rays from that which is not yet. This is density, physicality at the level of the etheric body.
In the appearance of a woman, this archetype can be manifested by flexibility, grace, sportiness. It attracts with its inner sparkle and multicolor, incomprehensibly read by others. Light red curls either develop in the wind, or softly fall on a deep neckline. Slightly pinkish, white skin, sometimes cute freckles, wide-open eyes, mobility, lightness, dancing gait - make it possible to always look young, regardless of real age.
"I am a golden whirlwind spreading over the clouds...". It is different, more often it is nourishing, filling with joy and enthusiasm, crystal and iridescent, like morning dew. Remember, Dolsky: "Any outfit suits you, you are different every day ...". Maybe it's about her, about a woman - Eos?
State
The first sensation of a cameraman immersed in the archetype of the Dawn goddess Eos? taken away from business. She is busy with her own affairs and is perplexed: who could need it. In this regard, there is a little irritation and a little anxiety.
She knows that she brings joy to others, but she herself seems to lack something. “I am doomed to something intermediate,” the words of the operator in contact with the archetype. - I am a transition. I want to be something specific." When the transition has occurred, it is removed. Here life situations are recalled when managers are appointed for the period of creating an enterprise or disbanding it, for a period of transition. Anti-crisis manager, representative of external management.
Eos is always on the move and busy. She needs to be in time everywhere, be faster everywhere, move somewhere all the time, nothing can be missed. She is a transition. Its function is to ensure the birth, the appearance of something, someone. There are such people. We call them differently, often guides, pimps, matchmakers, etc.
Erebus (Darkness) and Nikta (Night) give birth to Hemera (Day). It is this moment of birth that is the creative act of Eos. It is the transition, as a kind of independent, separately selected state. And the transition itself can be different: short, long, fast, slow.
Eos prepares for the coming of the Sun. So protocol specialists, masters of ceremonies or directors of mass events prepare the appearance of a significant figure in front of the people, so newcomers warm up the audience before the appearance of a star in a variety show, so a clown in an arena amuses the audience while uniformitarians prepare cages for lions. It is the goddess Eos who covers the grass with morning silver dew, wakes up the birds so that they meet the coming day with their overflows. It is Eos who brings people in white priestly robes to the altar for the mystical greeting of the great Sun.
And here is an interesting moment - she, the goddess Eos, inspires joy in everything running, singing, hissing, growing, but for the most part, those around her attribute this to the Sun. And she lacks recognition. And nothing can be done about it. That's the way the world works. And women like Eos can only accept the fact that the applause will go to others, and she herself must run on.
Eos has an amazing quality - to nourish everything around. Birds, leaves, grass, animals, people. And at the same time, it does not deplete itself.
“I feed them, but I don’t run out. Erebus feeds them through me." We know such people, if you exchange a couple of phrases with them, you already feel more cheerful, and it’s not so boring to hang around in a traffic jam, and you no longer want to grumble at your colleagues. People of the Eos archetype are conductors of joy, conductors of the energy of life, the energy of creation.
Manifestation in family relationships
A girl like Eos deeply honors her ancestors, among whom there are certainly outstanding personalities.
But she does not seem to notice her parents. Independent and independent, she does not really miss them. And eminent relatives are quite another matter!
Deep respect for the grandfather - the great Uranus. For Eos, her grandfather is a powerful force that he gives to his granddaughter. She contacts this force, she realizes it in the living space, "gives extension to this force."
Our heroine, charming Eos, most often has brothers and sisters. Relatives, cousins, multiple cousins... And with them, as sometimes happens among brothers and sisters, the relationship is ambiguous. Lots of competition. Eos often feels underestimated. "I'm going to the sun. The sun is incomprehensible and unattainable, like an older brother. I will never reach it. This is my ideal. Something I'm constantly striving for. I came to strive for him.”
Maybe it's about women's immoderate pursuit of achievement? Animus obsession?
With great respect and gratitude, Eos treats his leader, employer (Erebus). Perhaps he is also her distant influential relative “Erebus appointed me. He is my master (the operator bows). He commanded. I am".
Eos is a good mother. She has three sons from the titan Astrea - the winds of Boreas, Note, Zephyr and daughters - stars. Yes, there is mutual understanding between mother and children, even joint work is possible.
She loved very much her son Memnon from the mortal man Titon. The son died in the battle near Troy in the battle with Achilles. Here is how it is described in the myth.
“... He was the son of the beautiful dawn goddess Eos and Typhon and a relative of Priam. No mortal could match his beauty. Like the morning star, he shone among the troops of the Trojans in his golden armor, forged by the god Hephaestus himself.
A worthy opponent of Achilles was Memnon, the mighty son of the goddess. Again, a furious battle began to boil under the walls of Troy. Memnon fought ahead of the Trojans, Achilles ahead of the Greeks. But he avoided meeting Memnon. The son of Thetis knew that if he killed Memnon, then he himself would soon die from the arrow of Apollo ...
Achilles wounded Memnon in the shoulder with a spear. Memnon did not pay attention to the wound, he himself wounded the son of Peleus in the hand. The heroes drew their swords and rushed at each other. Both of them were equal in strength to each other, both were the sons of goddesses, on both of them the armor forged by the god Hephaestus sparkled. Hiding behind shields, the heroes fought. From the high Olympus the gods looked at this duel. The mothers of the heroes, the goddess Eos and the goddess Thetis, each prayed to Zeus for their son. Zeus took the golden scales, put the lot of heroes on them and weighed them. The lot of Memnon sank low, promising him fate to fall at the hands of Achilles. The goddess Eos sobbed: she had to lose her dearly beloved son. Finally, Achilles waved his heavy spear and pierced Memnon's chest. The goddess Eos was covered with a dark cloud as a sign of sadness. She sent her sons, the gods of the wind, to the battlefield, and they brought the body of Memnon far to the banks of the Esepa River. There, young nymphs mourned him and built a tomb for him.
The Ethiopians were turned into birds by the gods. Since then, every year they fly to the banks of the Esep to the tomb of Memnon and mourn their king there” / 6 /.
It is somehow even difficult to write about it, but it is possible that our heroine will have to endure such a heavy loss. God grant that trouble would bypass her!
Men in the life of Eos
Eos woke up in bed next to the beautiful Typhon
And she rose to bring light to both immortals and mortals.
So pink-fingered Eos chose Orion for herself.
Clitus was abducted from the earth by the golden-throned goddess Eos
Because of his beauty, to live in the assembly of the immortals.
Homer, The Odyssey, trans. Veresaeva
Eos' first husband was the Titanides Astraeus. Their sons were the gods of the winds: Boreas, Not, Zephyr, and their daughters were the stars in the vault of the sky. Astraeus rebelled against Zeus and was cast into the underworld. In our experience, there was not a word about Astrea, for this reason we do not write anything about him.
But the Wind was mentioned often. “The wind is my friend, I understand it. I'm good with Wind. I love birds because they are also with the Wind.” In this interaction there is a lot of play, dance, light flirting, a kind of drive that every person needs to make life happy. It seems that this is rather a dear friend, like-minded person, but not a lover.
It seems that the women of the Eos archetype have a friend, perhaps they work together. The one with whom you can have a good chat over a cup of coffee, consult, flirt in a new outfit, and even cry when your heart is heavy.
The myth describes several vivid love stories of the goddess Eos, to which we refer the interested reader.
The story of Aphrodite stands out in particular. Here is how R. Graves describes it.
“Annoyed once by the fact that she found Ares in the bed of Eos, Aphrodite inspired Eos with an eternal passion for mortal youths, whom she since then began to seduce one after another, embarrassed and doing everything in secret. First, Orion became her lover, then Cephalus, then the grandson of Melampus Clitus. Moreover, all this time she was the wife of the titan Astrea, to whom she gave birth to the North, West and South winds, as well as the Morning Star and, according to some, all other stars in heaven / 4 /.
Perhaps this is an allegory, according to R. Graves. At dawn, men often have attraction.
And you can look at it differently. IN real life many such examples.
Amorous woman Eos. The eroticism of Eos is different from the eroticism of Eurynome. Eurynome was driven by the creative need to be fertilized for creation, creation. The eroticism of Eos is more of an aesthetic character. She falls in love with handsome men and realizes a mutual attraction. Someone may begin to condemn her numerous connections, and someone may understand that women can also fall in love with beautiful men, just as public opinion allows men to fall in love with beautiful women.
The archetype of the goddess of the Dawn is characterized by hobbies of different ages. We all know many examples when mature women are carried away by young men, perhaps not yet matured, who still belong to their mothers. These connections can be easy, not long, without special mutual obligations.
Is there anyone who is himself without sin to judge Eos?
Advice- To give people joy without stint.
In studies of the archetype of the goddess Eos, the method of focusing the archetype V Lebedko and E. Naydenova /7/ was used.
Literature:
3. R Graves. Myths of ancient Greece, - Yekaterinburg, U-Factoria, 2005.
4. Vladimir Shmakov. Holy Book of Thoth. Great Arcana Tarot. Publishing house "Sofia", Kyiv, 1993.
5. Kun N.A. Legends and myths of ancient Greece. Moscow: State Educational and Pedagogical Publishing House of the Ministry of Education of the RSFSR, 1954.
7. Lebedko V., Naydenov E. - Archetypotherapy. / "The Golden Section". Penza, 2010.
Electronic office systems (design and implementation) LLC http://www.eos.ru/ organization Source: http://www.e rus.ru/events/2003/07/231253 6953.shtml , physical ... Dictionary of abbreviations and abbreviations
- (Greek). Goddess of the dawn. Dictionary of foreign words included in the Russian language. Chudinov A.N., 1910. EOS Same as Aurora. Explanation of 25,000 foreign words that have come into use in the Russian language, with the meaning of their roots. Mikhelson A.D ... Dictionary of foreign words of the Russian language
- (Ηώς, Aurora). Goddess of the dawn, daughter of Hyperon and Fia, wife of Typhon, son of the Trojan king Laomedont. Every day, after the night, she rises from the Ocean in her chariot drawn by swift white and pink horses and discovers ... ... Encyclopedia of mythology
Aurora; dawn Dictionary of Russian synonyms. Eos, see dawn Dictionary of synonyms of the Russian language. Practical guide. M.: Russian language. Z. E. Alexandrova. 2011 ... Synonym dictionary
In the myths of the ancient Greeks, the goddess of the dawn. Eos with Astrea gave birth to the winds (Boreas, Note and Zephyr), as well as the stars ... Historical dictionary
In Greek mythology, the goddess of the dawn. It corresponds to the Roman Aurora ... Big Encyclopedic Dictionary
- (eol. AuwV, ion. HwV, dor. AwV, att. EwV, from pra Greek ausos; lat. Aurora also belongs here) goddess of the dawn, daughter of Hyperion and Tei, sister of Helios and Selena (according to other versions, she was the daughter Helios; Night was sometimes considered her mother). E. appeared ... Encyclopedia of Brockhaus and Efron
Eos- eos, neskl., wives ... Russian spelling dictionary
Eos- EOS, in Greek mythology, the goddess of the dawn. It corresponds to the Roman Aurora. … Illustrated Encyclopedic Dictionary
Eos- (Greek Heos, Eos) in Greek mythology, the goddess of the dawn, the daughter of the titan Hyperion and the titanide Thea (Fairies), the sister of Helios and Selena. The Romans had a similar goddess, Aurora. (I.A. Lisovyi, K.A. Revyako. ancient world in terms, names and… … Antique world. Dictionary reference.
Books
- Secondary emission methods for studying solids, A. R. Shulman, S. A. Fridrikhov. The book is devoted to secondary emission methods for studying the surface and bulk properties of a solid. These methods are based on a variety of physical phenomena observed during ...
- Stone hearts. Part 1, Ivan Melnikov. The continent of Eos is devastated by nuclear war. 70 years after the disaster, the survivors with enviable zeal continue the work of their ancestors - the weapons left over from the last war are more than enough to ...