Goddess lakshmi house image. Who is Goddess Lakshmi

Goddess Lakshmi- Indian goddess of well-being and prosperity. She has many names, of which the most popular are Sri Lakshmi, Kamala and Padma. For Hindus, Lakshmi is a very powerful symbol of material wealth and good luck in business.

Many virtues are associated with the goddess Lakshmi, among which are not only material wealth, but also beauty, love, peacefulness, the power of knowledge and the mercy of heaven. Sri Lakshmi sitting on a lotus flower is a symbol of spiritual purity and motherhood, this symbol is associated with immortality and good fortune.

Lakshmi is known as the embodiment of creative energy and consort supreme god Vishnu.

Legends about the appearance of Lakshmi

There are several legends about the birth of Lakshmi, according to one of them, she was born the daughter of the sage Bhrigu and Khyati. According to another version, Lakshmi appeared at the very beginning of the universe, having arisen in the primordial waters on a lotus flower. Another and most popular version is the appearance of Lakshmi during the churning (turning into milk) of the oceans. According to this legend, the waters of the ocean began to turn into milk, and from them "fourteen miracles" gradually came into being. Lakshmi was one of the miracles and appeared right in the ocean waters from a lotus flower and with a lotus flower in her hands. The lotus is a symbol of spiritual purity and material wealth, so Lakshmi is always depicted either sitting on a flower or holding a flower in her hands.

Goddess Lakshmi chose the god Vishnu as her husband, giving him a flower wedding garland. Lakshmi prefers beauty and luxury, they favor rich and prosperous people. At the same time, she will patronize only those who honor not only herself, but also her husband, the god Vishnu.

Image of Lakshmi

If Lakshmi is depicted with two hands, then in one she holds a coconut, and in the other a lotus. In this case, she is accompanied by two women-porters with fans or elephants (2 or 4) carrying ghats (ritual structures).

When Lakshmi is depicted with four hands, she holds a lotus, a conch, a wheel and a wand in them. Variants are possible when in the four hands of Lakshmi there is a fruit similar to a lemon, a vessel with nectar and lotuses. Or a lotus, a wooden apple, a vessel of ambrosia and a shell. Also, Lakshmi with four hands is depicted with lotuses in her hands raised up and pouring coins from one of the palms, while the other palm is depicted in a blessing gesture.

The four hands of the goddess Lakshmi indicate that it is in her power to give people wealth, goals in life, bodily pleasures and bliss.

If Lakshmi is depicted with eight arms, then in them she has a lotus, a bow, an arrow, a wand, a wheel, a shell, a goad and a wooden pestle.

When Lakshmi is depicted next to Vishnu, she usually has two hands in which the goddess holds a lotus and a coconut, or only lotuses in each hand. In this case, Lakshmi is depicted standing or sitting on the left knee of Vishnu, on an eagle or on the snake Ananta.

What did the many-armed Hindu deities mean? and got the best answer

Answer from Marina[guru]
In the Indian tradition, the multi-armedness of gods and goddesses meant a multiple increase in their power and strength, it was intended to show the superhuman essence of the image of the gods.
Multi-headedness and multi-armedness in Indian mythology- a traditional image of a large number of people, and a symbol of the army of the military gods: Kartika / Murugan or the warrior Durga, whom the gods created to defeat the asuras, giving her their weapons. Her ten (rarely eight) hands emphasize the image of inclusiveness.
Another symbol of the many-armedness of the gods is the ability to save innumerable multitudes of creatures.
The many-armed dancing Shiva symbolizes the forces of the universe.
One of the gods of India - Subramanya, the son of Shiva and Shakti, represents the highest state to which one who is engaged in spiritual practice can rise. Etymologically, the word ‘subramanya’ means “guiding spiritual development”.
Subramanya has twelve arms, while man has only two arms. But his superior intellect enabled him to devise tools and devices by means of which he can even perform many different difficult tasks at the same time. Subramanya, with his many arms, symbolically represents the powers and abilities of man.
Female deities of the Buddhist pantheon:
It is very difficult to distinguish between goddesses, because their color, number of hands and attributes often change:
1. Mahapratisara, protecting from sins, diseases and other dangers. In her hands she holds a flaming sword, bow and arrow, vajra, axe, trident; her two hands are joined in front of her chest and hold the Wheel of the Law and the noose.
2. Mahasahasrapramardini, protecting from evil spirits. In one pair, connected in front of the chest, she holds a cruciform vajra and a noose. In other hands she holds a flaming sword, a bow and arrow, a trident, a lotus flower and an axe.
3.Mahamayuri, protecting against snake venom. She has twelve arms holding a vajra, an arrow, a crescent moon, a peacock feather, a book, a lotus and a noose. Two hands lie on their knees, holding a bowl with the head of the Buddha. The other pair is connected in a sign of instruction.
4. Mahashitavati, protecting from the evil influence of the planets, from wild animals and from poisonous insects. She holds the following attributes: a flaming sword, a lotus flower, a banner, a cruciform vajra, and a peacock feather. With one hand she makes a sign of generosity, with the other hand she holds a begging bowl, inside of which is the head of the Buddha. In another hand she holds an earring.
5. Maha (raksha) mantranusarini, which protects against diseases. In six hands she holds a bow and arrow, a noose, a banner, a vajra and a bell.
6. Marichi. Her name probably comes from the Sanskrit "marici", "beam of light", and the goddess herself must be the personification of dawn. In Tibetan monasteries, she is invoked at sunrise.
She has eight arms and is depicted drawing a bow. In addition to the bow and arrow, she holds a noose, ankusha, a vajra and something like a dagger. A similar image of the goddess is found on a stone stele from Magadha (now in the Calcutta Museum).
There is also a merciful hypostasis of the goddess. In this incarnation of her right hand makes a sign of generosity, and the left holds a lotus flower.
7. Vasudhara. She is the goddess of abundance and the shakti of Jambhala - Kubera, with six hands holding fruit, a jewel, a book, a vase and an ear of bread. She sits in royal robes, making a sign of fearlessness with one hand.
Marina
Enlightened
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If you have something to add, please let me know - I'm interested.

Answer from tatiana trofimova[newbie]
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Answer from User deleted[guru]
KALI
Indian goddess of death, destruction, fear and horror, consort
the destroyer of Shiva. As Kali Ma ("black mother") she is one of the
ten aspects of the wife of Shiva, a bloodthirsty and powerful warrior.
Her appearance is almost always frightening: swarthy or black, with
long tousled hair, usually depicted naked or
only in one belt, standing on the body of Shiva and leaning on one foot
on his leg and the other on his chest. Kali has four arms, on her arms -
claw-like nails. In two hands she holds a sword and a severed
the head of a giant, and with the other two seduces those who worship her.
She wears a skull necklace and corpse earrings. Her tongue will stick out
her long sharp fangs. She's spattered with blood and drunk
the blood of their victims.
One of the most dramatic images shows her squatting on the body of a dead Shiva, consuming his penis with her vagina while eating his intestines with her mouth. This scene should be taken not literally, but spiritually. It is believed that Kali takes the seed of Shiva into the vagina in order to conceive him again in her eternal womb. In the same way, she devours and destroys all life around her in order to create everything anew.
Goddess Ushnishavijaya. The cult of this goddess is extremely popular. She is usually depicted seated cross-legged on a lotus throne. Her body is white, her three heads are yellow, white and blue. In eight hands she holds the image of the Dhyani Buddha Amitabha (a fact that clearly shows her connection with the circle of deities emanating from this Dhyani Buddha; the bodhisattva Avalokiteshvara is often depicted with the goddess), a bow and arrow, a cruciform vajra, a noose and a vase. One hand makes a sign of generosity, the other - fearlessness.
Goddess Mahasahasrapramardini. This image matches exactly brief description goddess, given by Rajendralal Mitra in his Sanskrit Buddhist Literature of Nepal: “An angry goddess, baring her teeth, blue in color, sitting on two yellow-bodied men crouching to the ground. Her heads are white, blue, red and yellow.” The goddess wears a crown of human skulls and a tiger skin at her waist. Her hair stands on end. She has eight arms. In one pair, connected in front of the chest, she holds a cruciform vajra and a noose. In other hands she holds a flaming sword, a bow and arrow, a trident, a lotus flower and an axe.

Answer from Yoamirchik[guru]
India human sacrifice are already rejected in the sacred writings of the Mahabharata, although Western films still frighten the viewer with many-headed and many-armed Indian gods. Many-headed and many-armed in mythology is a traditional image of a large number of people, and a symbol of the army of the military gods: Kartika / Murugan or the warrior-Durga, to whom the gods bestowed all their weapons. Her ten (rarely eight) hands emphasize the image of inclusiveness. Kali is the image of hidden, internal energy (the sound of the mantra, the creative word). Durga - open, bright, revealed (energy in action).
In altar images we find either a black Kali with heads and an open mouth, or a many-armed Durga with a weapon in the form of a beautiful woman on a lion or tiger - never together. Standing next to Shiva, the graceful and modest Parvati has neither of these attributes, but is depicted as a normal woman. Her name ("mountainous") hints at the legend that the wife of Shiva, as a historical person, was from the mountains. (This is not surprising, since she was an Aryan, and the Aryans descended to India through the Himalayas.) True, the son of Shiva and Parvati, Ganesha is always a baby elephant.
In addition to the statues of saints, altars with dark figures of revered gods stand around the interior of the sanctuaries. Having visited the central altar, the Hindus bypass them around the perimeter from left to right. The most noticeable is the altar of Mother Durga, next to which flows holy water, and the well-known many-armed royal Shiva-Nataraja, dancing on the body of the defeated asura. From the small altars, I caught my eye a company of statues: Soma-Moon, Mangal-Mars and Rohini in a green cape - the constellation of Taurus and the wife of Soma, whom he prefers among his other 28 nakshastra wives: lunar sites of Indian astrology. (This makes sense of the exaltation of the Moon in Taurus, which is why I remembered this trinity, which I met in other temples: I don’t know what Mars-Mangal has to do with it).

Lakshmi and Vishnu

Lakshmi is the Hindu goddess of wealth, light, wisdom, lotus, good luck and luck, beauty, courage and fertility. Images akin to Lakshmi or Sri are also found in Jainism and Buddhism, not to mention numerous Hindu temples. She is kind to children and generous with gifts. Because of her maternal feelings and because she is the wife of Narayan (the Supreme Being), the image of the Mother of the universe is transferred to her. Lakshmi is the wife of Vishnu, she was married to all his incarnations: at the time of Rama she was Sita, at the time of Krishna - Rukmini, when he appeared as Venkateswara, she was Alamelu. According to the beliefs of the Vaishnavas, she is the mother goddess and shakti (energy) of Narayana.

About the appearance of Goddess Lakshmi exists ancient legend. The quick-tempered sage Durvasa once presented Indra, the king of the gods, with a garland of flowers that should never wither. Indra gave this garland to his elephant, Airavata. When Durvasa saw such disrespect for himself that an elephant was walking around with a divine garland around his neck, he cursed Indra, saying that he and all the gods would lose their strength due to his pride and careless attitude. The curse came true: the demons drove the gods out of heaven.

The defeated gods went to seek refuge with the Creator - the god Brahma, who offered them to plow the ocean of milk - Kshirshagar, in order to get the nectar of immortality. For help, the gods turned to Vishnu, who took the avatar of Kurma (tortoise) and supported Mantara Parvata (mountain) as a stupa in the churn, while Vasuki, the king of snakes, played the role of a rope. Gods and demons, under the control of the wise ruler of Bali - Chakravarti, helped each other to plow this milky ocean.

Among all the divine gifts that appeared from the ocean in the process of churning, the goddess Lakshmi also appeared, choosing Vishnu as her husband, so only he has the power to control the illusion (maya). This legend also explains why Lakshmi is called the daughter of the ocean; the moon, also emerging from the ocean during churning, is called in myths the brother of Lakshmi. Lakshmi's older sister is the goddess of misfortune Alakshmi. It is believed that she also came from the ocean of milk. According to the Vishnu Purana, Lakshmi is the daughter of Bhrigu and Khyati, she was brought up in Svarga, but due to the curse of Durvasa, she had to settle in Kshirsagar. Lakshmi is the power and maya of the god Vishnu. In some images, she can be seen in two forms: Bhudevi and Sridevi, standing on opposite sides of Vishnu. Bhudevi is a form of fertility, in fact, it is mother earth. Sridevi represents wealth and knowledge. Many people mistakenly say that Vishnu has two wives, but this is not true. Regardless of the number of forms, it is still one goddess.

Lakshmi is depicted as a beautiful woman with four arms, sitting on a lotus, dressed in luxurious robes and adorned with jewels. Her expression is always peaceful and loving. the most important hallmark Lakshmi is that she always sits on a lotus. The lotus symbolizes the inseparable connection of Sri Lakshmi with purity and spiritual strength. Rooted in mud, but blooming above the water, one whose flower is not polluted, the lotus represents spiritual perfection and the meaning of spiritual attainment. Apart from Lakshmi, many deities in Hindu iconography stand or sit on a lotus. Many epithets of Lakshmi include a comparison with a lotus. Goddess Lakshmi traditionally rides on an owl (uluk) - a bird that sleeps during the day and wakes up at night.

Vishnu

As the preserver and restorer, Vishnu is very popular among Hindu followers. The root from which his name is derived - vish - means "to fill": they say about him that he is omnipresent and fills all creation. His power manifests in the world through many forms called avatars or incarnations. The essence of incarnations lies in the fact that part of his divine power is born in the form of a person or other creature. The Avatar appears when there is an urgent need to prevent the influence of evil on the earth. “When order, justice and mortals are in danger, I descend to the earth,” says Vishnu. Despite the fact that Vishnu devotees mention twenty-eight incarnations of Vishnu, only ten are the main ones in the chronology of Hinduism.

Vishnu is usually depicted as a handsome Yanosha with dark blue skin, dressed like an ancient ruler. In his four hands he holds a conical shell, a disk, a club and a lotus flower. He rides Garuda, the sun bird, the enemy of all snakes. This antagonism is revealed in the struggle between Krishna and the water serpent Kaliya. When Balarama reminded Krishna of his divine nature, he performed a dance on the head of Kaliya. Having defeated the tormented king of snakes, Krishna ordered him to leave the Yamuna River and move to the endless ocean, promising that Garuda - the golden sun bird - would never dare to attack him because her rider had touched him. Half of the main avatars of Vishnu are people, half are animals. While all the many universes are in a manifested state, the Primordial Vishnu monitors the state of affairs in each of them and periodically incarnates in one place or another, in whole or in part, in order to restore order.

According to the most common classification, 10 avatars (incarnations) of Vishnu visited our Earth.

1. Fish (matsya).

When the Earth was flooded with the waters of the global flood, Vishnu took the form of a fish, which first warned Manu (the progenitor of mankind, the son of Brahma) of imminent danger, and then on a ship tied to a horn on her head, carried Manu, his family and seven great sages (rishis)

2. Turtle (kurma).

During the flood, many divine treasures were lost, including ambrosia (amrita), with the help of which the gods kept eternal youth. Vishnu assumed the form of a gigantic tortoise and plunged to the bottom of the cosmic ocean. The gods placed Mount Mandara on his back and wrapped the divine serpent Vasuki around the mountain. Then they pulled the kite and thus spun the mountain, churning the ocean like an ordinary Indian milkman churns butter. Amrita and many other treasures, including the goddess Lakshmi, floated to the surface of the churning ocean.

3. Boar (varaha).

The demon Hiranyaksha again plunged the Earth into the depths of the cosmic ocean. Vishnu assumed the form of a giant boar, slew the demon, and set the earth in place, lifting it up on his fang.

4. Lion Man (narasimha).

Another demon, Hiranyakasipu, received a magical ability to become invulnerable as a gift from Brahma. Neither beast, nor man, nor god could kill him day or night. Taking advantage of his safety, he began to persecute the gods and people and even his pious son Prahlada. Then Prahlada turned to Vishnu for help. At sunset, i.e. neither day nor night, the god suddenly emerged from a column in the demon's palace in the form of a half-lion half-man and killed Hiranyakasipu

5. Dwarf (vamana).

A demon named Bali seized power over the world and, having performed a series of ascetic feats, achieved supernatural power and began to threaten even the gods. Vishnu appeared before him in the form of a dwarf and asked for as a gift as much land as he could measure in three steps. When the gift was promised, the god turned into a giant and took two steps, which covered the earth, the sky and all the space between them, but generously refrained from the third step, leaving the demon to the underworld

6. Parasurama ("Rama with an ax").

Vishnu took on a human form, having been born the son of the Brahmin Jamadagni. When the brahmin's father was robbed by the evil king Kartavirya, Parasurama killed him. The sons of Kartavirya, in turn, killed Jamadagni, after which the angry Parasurama exterminated all the men from the Kshatriya (warrior) class 21 times in a row.

7. Rama, prince of Ayodhya, hero of the epic drama Ramayana. Vishnu incarnated in his image to save the world from the oppression of the demon Ravana. Rama is usually depicted as a dark-skinned man, often armed with a bow and arrow. He is accompanied by his loving wife Sita - the embodiment of female fidelity, his three devoted brothers - Lakshmana, Bharata and Shatrughna - and Hanuman, the king of monkeys, a faithful friend and companion. Rama is revered as the embodiment of an ideal husband, commander and monarch.

8. Krishna, the most significant of the incarnations of Vishnu is the most popular deity in India today. He was the last of the shepherd family of Yadavas. Vishnu pulled out his two hairs: white and black, and placed them in the womb of Devaki and Rohini, so Krishna appeared from the black hair, and Balarama from the white. Kansa, the ruler of Madhura, learned that Devaki's son would kill him, and ordered his mother to exchange Krishna for the daughter of the cowherds Nanda and Yasoda. On the way to Madhura, Krishna performs many feats. Yashoda learns about his divine origin by looking into his mouth and seeing the whole universe there. The symbol of devotion is the love of the cowherd girl Radha for Krishna. Krishna tells Arjuna about his divine origin, being his charioteer during the battle of the Pandavas and Kauravas. He reveals the divine truth to Arjuna, so the Bhagavad Gita is not so much an epic as the sacred book of Hinduism.

9. Buddha, the last incarnation of Vishnu in the past.

According to the Gitagovinda by the great poet Jayadeva, Vishnu incarnated as a Buddha out of compassion for animals in order to put an end to bloody sacrifices.

10. Kalki is the future incarnation.

Hindus believe that at the end of our dark era, Vishnu will appear in the form of a man riding a white horse, with a flaming sword in his hand. He will condemn the sinners, reward the virtuous and revive the Satya Yuga ("golden age").

Vishnu and Lakshmi

Vishnu becomes the Guardian Deity. Vishnu is the power that sustains everything that exists. Its symbols are the snail shell and the disk. Lakshmi is his female counterpart. This archetypal couple, imagined in practice as a god and goddess, is identified with the highest aspects of the human psyche. Becoming Vishnu and Lakshmi means becoming the lord or mistress of Preservation, the embodiment of spiritual wealth and material well-being. In tantra, the couple always strives to personify these two principles.

“Vishnu and Lakhimi always indulge in amorous pleasures. For this purpose they take various forms, but their changing outward manifestations tell us of their inner communion with each other. They are eternal lovers."

"Vishnu Purana"

Vishnu imagines in his dreams the game of the world and teaches a person various ways of protecting the Higher Self by extracting a “wave of Bliss” from the Great Cosmic Ocean of Existence. Vishnu, the Lord of the Universe, is usually imagined as a being of blue color. In his original form, he leans on a huge multi-headed snake, the embodiment of Infinity, which supports him in the Cosmic Ocean. It is believed that there were nine incarnations of Vishnu in the world.

It seems that this myth reflects the most ancient theory of evolution. In the first incarnation, Vishnu was a fish, then a tortoise, a boar, a lion, a dwarf, a warrior, a demon-slayer hero, the Eternal Youth (Krishna) and Buddha (in his intellectual aspect). The tenth incarnation of Kalki has not yet appeared. This is the cosmic horseman of the Apocalypse, who will come to destroy all the evils of this era.

Many other forms of Vishnu are reported in the scriptures. It is said that he has four or six arms - this reflects the plurality of his roles in a single image. Lakshmi, the female form of Vishnu, is depicted as white or red, depending on her mood. She holds a lotus in her hands - this is her special symbol. She can take many forms, even being able to create duplicates of herself to become many different wives of her divine lover at the same time.

The Prapanchasara Tantra offers a very detailed description Vishnu and Lakshmi, partners can practice this visualization in order to awaken the divine in themselves. The text states:

“Think of a beautiful garden where wish-fulfilling trees grow. It is full of the fragrance of flowers, and there is a beautiful buzzing sound of large bees. And now imagine Vishnu, he is sitting on a big bird, Garuda, who is sitting on a lotus. This Vishnu is red, this color expresses erotic feelings. He shines like a hibiscus flower with the power of millions of rising suns, looks like a beautiful young man, exuding sweet-scented nectar and loving kindness. He holds various weapons, including a conch shell, a club, a bow, and a discus. And he looks at the face of his wife Lakshmi, who embraces him with all the fullness of love. This divine couple is surrounded by many beautiful women with tight hips, heavy breasts, who smile lovingly, move voluptuously and create with their hands sensual forms lotus. Their lips are parted, but they are silent from passion. Clothes and hair are in disarray, thus openly showing their erotic feelings.

Such visualization awakens an erotic feeling, and this causes vital energy to circulate. Erotic thoughts have a direct effect on breathing rate, heart rate and energy flows. Tantra teaches that the role of a woman is varied. A woman can easily become many women. If she allows herself to manifest in multiple forms (as a girl, wife, mistress, harlot, virgin), her man's sexuality immediately increases. This happens at the basic energy level, as well as at the biological, physiological and psychological levels. The expansion of woman's consciousness naturally gives rise to many soul-characters. A man initially resides in a variety of roles such as a hunter, hero, husband, lover or businessman. Due to the expansion of consciousness, he manages to combine these roles into a single entity, which is the highest level Tantra is the yogin, or archetype, guru. The ability of a woman to become many women for her man is a great source of original life-giving energy, which greatly enlivens relationships.

Vishnu and Lakshmi together govern erotic feeling, especially in that function of eroticism which sustains the existence of the universe. Vishnu and Lakshmi also rule over the element of water, without which we could not exist in the world. Erotic desire generates copious watery secretions - this is important for our well-being on the material and spiritual levels. The Hindu text Skanda Purana states: "Everything comes from the sexual act, without physical love, all living things wither and wither."

Hindu myths say that Vishnu and Lakshmi have a son - the god of love Kama. This Indian Cupid shoots flower arrows from a bow made of flowers and bees. Bees and birds symbolize the senses and erotic play. This god was transformed in an interesting way in the pantheon of Western gods. Kama is strikingly handsome, since Shiva gave him eternal youth and beauty. Kama embodies the love of Vishnu and Lakshmi. Often he is depicted riding a dove, with a cuckoo and a bee acting as his allies. Especially often he is remembered in the spring and during the performance of love rituals. It is Kama that awakens in the hearts of lovers. Kamasutra is his song "Melody of Love".

The eighth incarnation of Vishnu is Krishna, the merry youth, or the Eternal Youth, who is depicted in a bluish color. In modern India, he is a popular depiction of erotic feeling. Tantric sexual rituals often reenact the legend of Krishna playing with gopis, cowherd women, who surround him and demand attention. The gopis are not only cowherd boys, they milk the cows and churn the milk. In everyday life they symbolize an erotic game. They also symbolize the innermost whirlwind of emotions during spiritual quests.

The circular erotic dance of Krishna with beautiful gopis expresses the invisible circulation of sexual energies in the psychic centers of transformation and the rotation of galaxies in the macrocosm. This is Krishna-lila, or the Game of Krishna, a psychocosmic reflection of the transformation of energy in the tantric tradition. This erotic dance originates from the many-sided nature of a woman, her ability to expand, rotate and constantly change around the one absolute archetype of the male god, the eternally playful Krishna.

Krishna lila is very common in modern India, despite the trend towards more puritanical religious rites and ceremonies. Spiritual sensibility in the East in Lately was suppressed to a large extent due to the influence of Muslim and Christian incursions. Nevertheless, the women of India still like to think of themselves as gopis serving Krishna, and popular love songs express this yearning for liberation through sensuality.

Gopis are the incarnation of Lakshmi, just as Krishna is the incarnation of Vishnu. Every gopi thinks that Krishna belongs only to her, and parting with him causes her great anguish. The gopis demonstrate the purified great emotional power of eroticism. Anguish, spiritual languor is the main component of all mystical transformation, it is an emotional upsurge that can break through any boundaries of dualism or conventionality. Without passion and without a sense of uniqueness, a woman loses the opportunity to express her various roles. This is the secret of sex, which was used in Tantra as a powerful method of enhancing the capacity for transcendence. Gopis are Shaktis, charged with erotic feeling and desire, craving the attention of their only master. According to the stories of Krishna, he multiplies himself by giving birth to identical forms, and thus he is able to make love to all the gopis at the same time. Everyone is satisfied that Krishna belongs to her alone. In this game, one cannot say that Krishna is unfaithful, he is simply unconventional and projects his uniqueness into exact copies of himself. Each gopi is a form of Lakshmi. Krishna-lila is the mystical expression of the divine love of Vishnu and Lakshmi, by which the gopis representing the senses are purified.

Conventional love develops into predictable patterns - this is love between husband and wife, the spiritual fruits of this appear when a family is formed. This is the World Path. It consists in serving between husband and wife, parent and child, and in serving the whole family of the ancestral line. This Path was highly revered in the ancient civilizations of China and Egypt, and until very recently in the West. Children were born in marriage, a man divorced a woman who could not give birth to children, or took another wife. The most unfortunate man was considered unable to conceive a child, because he could not leave a descendant who would continue his work in the future. Conventional spirituality in all cultures meant blood ties, liberation through family well-being and insisted on the duty of children to their parents even when the parents had already left this world.

The modern upsurge of materialism has perverted the spirit of conventional love and provided no viable alternative. Conventional love these days is often seen as something limited and devoid of novelty. Established traditions have lost their meaning. In modern Western culture there are no ways to spiritually strengthen marriage and give it meaning. A married couple, once happy, now often finds themselves growing apart as the years go by. Their marriage contract becomes meaningless. This is now the rule rather than the exception, as evidenced by the growing number of divorces.

Unconventional love is unpredictable and spontaneous, it is based on pure feeling, it is usually considered illegal or vicious, since it occurs outside the boundaries of love blessed in society. Eastern mysticism gives unconventional love great potential and the ability to turn into transcendental love. It is argued that it can lead to Divine love, if the energies are channeled correctly.

Nowadays, non-traditional love has almost acquired a conventional status. But, unfortunately, mystical fruit rarely ripens from this type of relationship. There is spontaneity, but there is no spiritual direction left. In this regard, the tantric teachings can guide us.

The boundary between the two forms of erotic love can no longer be precisely defined. The categories of conventional and non-conventional have lost their meaning. In fact, this is a matter of attitude to the subject of discussion, not categorization. Tantra teaches that in a community it is possible to combine the conventional with the non-conventional. It is possible to take the best of both worlds, and this is the attitude that should be cultivated in a loving relationship. When lovemaking becomes boring and predictable, communication breaks down, self-doubt and lack of faith take over the relationship.

Try to bring the divine archetypes of Vishnu and Lakshmi into your life. Call on them to help and become them. Try to develop both conventional and non-conventional ways of worship in your lovemaking. Step into the multiple roles of Krishna and gopis, experience the rich imagery of the Krishna myth to explore your erotic potential. Every woman is able to transform into all the gopis. Within every man there is a divine lover Krishna. Practical use this ancient truth of the human psyche provides a way of life that can bring self-realization. Transform into Vishnu and Lakshmi, rejoice in their eternal play.

In this article you will learn:

Lakshmi is the goddess who brings abundance, material wealth, good luck. This Indian deity gives people material benefits, blesses them. It looks like a beautiful girl in the images with a different number of upper limbs: there are 2, 4 or 8 arms. The features of the image depend on what, besides the deity, is present.

The history of the appearance of the goddess

According to legend, the Indian goddess Lakshmi arose while sitting on a lotus flower. Then the devas and asuras produced the buttermilk of the oceans. This version is more popular than others.

There are other explanations for the appearance of the divine girl. Some people hold the theory that the goddess was born from the sage Bhrigu and his consort Kyati. Another explanation suggests that the divine girl emerged in a lotus flower from the primordial waters.

The husband of Lakshmi is the god Vishnu. The Indians believe that she accompanies him in every avatar. It is believed that she not only has great strength, but is also a good wife of the dark-faced god. Often she is depicted sitting at the feet of her husband. In joint images with Vishnu, it appears in a dark color, if the skin tone is yellow, the picture demonstrates that Lakshmi symbolizes prosperity and wealth.

There is a version according to which the goddess arose from a lotus flower located above the head of her husband.

Events and celebrations in honor of Lakshmi

Partially dedicate the celebration of Navarati to this deity, lasting 10 days and 9 nights. The divine girl is dedicated to the time from 4 to 6 days inclusive. Hindus believe that by this time Kali cleanses their souls of negative feelings and thoughts, making them ready to be filled with virtues. Navarati is celebrated on the first 9 days of the waxing moon in the month of Ashwin.

The Diwali festival is also dedicated to Lakshmi. During the celebration, the people of India light a lot of lamps, lanterns, fires, fireworks. Symbolically, the star Lakshmi is represented in this way, a halo of 8 rays representing various types of wealth. The meaning of this holiday is to attract prosperity. It is believed that the goddess visits human dwellings, trying to find a place where to rest. She bestows her blessing on the inhabitants of the visited house, attracting material wealth to their home.

Sarad Purnima is celebrated at the end of the rainy season in September or October. This festival is a gratitude to Lakshmi for the harvest. Celebrate on the full moon.

What do the objects and fruits in the hands of the figurine mean?

Deities in India are not usually depicted without any objects. Each element depicted next to a god or goddess has its own meaning, symbolizes something.

The objects depicted next to Lakshmi are most often symbols of prosperity and abundance.

Lotuses, located on the hands of a divine girl, are symbols of the worlds. The degree of their openness is equal to the degree of development.

The fruits are the results that people have achieved by labor. Indians believe that any effort is useless if a person falls into disfavor with the goddess.

Coconut is a symbol of 3 levels of creation. The hard, hairy shell symbolizes the gross level, the coconut juice the causal, and the core the subtle.

If a citron or pomegranate is in the hands of a deity, the image symbolizes the worlds.

The symbol of the highest fruit of spiritual life, moksha, is the fruit of bilva, which Lakshmi holds in her palms.

A vessel with ambrosia is a symbol of immortality and eternal bliss, which can be received as a gift from the goddess.

The location of the Lakshmi figurine in the house

To achieve the favor of a mysterious girl, you should place an image of the goddess Lakshmi in your home. It is important to place the figurine correctly.

Eastern Feng Shui philosophy states that the best location is the entrance hall or study. These locations are associated with financial well-being, increasing wealth. When choosing a sector, it is better to give preference to the southeast direction. There is a sector of wealth. You can put a figurine in the southwestern zoneresponsible for travel and assistants.

Trying to earn the favor of the goddess

To get divine love, meditation is recommended. This should be done regularly. The main mantra is “Om hrim shrim lakshmi byo namah”. You can use some other mantras. When reading, it is important to concentrate on the desired effect. So, it will be possible to bring it to life faster. It is important to repeat the phrase divisible by 3 times. Meditating on an image is more effective.

It is important to chant mantras regularly and turn to meditation. A one-time appeal will not be enough. To enhance the effect, you can put a bill in front of you during meditation. It is not allowed to spend. When the mantra is read, you need to blow on the money 3 times in order to charge them with the energy of well-being and prosperity.

To attract material well-being, it is also recommended to purchase images of the many-armed goddess. Lighting incense will help attract her favor. The smells of lotus and other flowers are best suited.

The room where the figurine is located should be cleaned regularly. It is recommended to stop quarreling, forget about promises, avoid responsibility: Lakshmi does not like such actions, they can cause her disfavor.

Any large-sized flowers will help to attract the energy of a divine girl. Lapis lazuli, yellow and red jade will help to attract her. The metal symbolizing Lakshmi is gold.

It is recommended to install an altar dedicated to this deity in the room. To decorate it, you should use jewelry made of gold, gems, fresh flowers. There you also need to place a statuette depicting a goddess. You need to cover the surface with a cloth embroidered with golden threads.

It is important to work on your own spirituality. Compassionate to all, Lakshmi does not like cruel people who are prone to evil thoughts and inclinations. If a person is cruel, dishonest, vicious, he will not be able to achieve the favor of a divine girl.